Uncoated stock that takes a pen properly, a matched envelope, and enough blank space to write something worth keeping.
Folded and flat cards, greeting and occasion cards, place cards and enclosure notes, with envelopes cut to match.
Send a personal message with custom Flat Correspondence Cards. These…
A notecard is defined by what is not printed on it. The value is in the handwriting, and every choice below exists to make that handwriting easier and better looking. If your message is going to be printed rather than written, a postcard will do the job for less.
A single fold giving four panels, printed on the front and blank inside. The classic correspondence card, and the format people expect when a note is meant to feel personal rather than transactional.
One heavy card, printed on the front with a writable reverse. Less formal than a folded card, quicker to write, and cheaper per piece because there is no fold to score.
Small cards that travel inside a parcel, a gift box or a bouquet. Printed with your name and left blank for a line written by hand, which is the entire reason they work.
Eid, wedding congratulations, condolence, new year and appreciation cards. A printed greeting or calligraphy on the front, blank inside for a signature and a personal line.
Small tent-folded or flat cards for seating, table numbers and menus at weddings, banquets and corporate dinners. Printed with the event branding and often hand-written with guest names.
A boxed set of cards and envelopes carrying a name, a monogram or a family crest, printed on a chosen paper colour with the envelopes cut to match. Given as a gift, and used for years.
Folded sizes are given as the flat sheet with the finished size after it.
Custom sizes are available, and if you already have envelopes, send us one and we will cut the card to fit it properly rather than approximately.
One rule governs this whole category: the surface that gets written on must be plain card. Matte and glossy coatings sit on top of the fibres, and ink written on them beads up and smears instead of drying. Glossy in particular will not take a pen at all. We can print a matte or glossy front with a plain inside if the front carries a photograph, but the writing side stays plain.
The house standard for notecards. Untreated on both sides, substantial in the hand, and it takes ballpoint, gel, rollerball and fountain pen cleanly. Enough weight to stand on a desk or a mantelpiece.
Heavier and stiffer, for flat correspondence cards and personal stationery. It holds a scored fold crisply and feels like a document rather than a handout.
Where the front carries a photograph or a strong image, it can be printed on matte or glossy card while the writing side stays plain. Worth doing on greeting and occasion cards; unnecessary on a monogram.
Ivory, cream, grey, black and natural kraft. A dark stock needs a white or metallic gel pen to write on, which is worth deciding before you print rather than after.
Because cutting is digital, the card can be any outline at no extra cost: a shaped flap, a curved edge, a notch, a punched hole for a ribbon or a tag. On an otherwise plain card, the shape does the work a printed flourish would.
We make the envelopes here as well, so the inside of the flap can carry a printed pattern that is revealed only as the card is opened. It is the one place on a restrained set where being bold works, and very few local suppliers can do it.
Worth ten minutes before printing, because a card that fights the pen gets used once and the rest of the box stays in a drawer.
The same applies to anything filled in by hand at an event: place cards, table numbers and guest names all need a surface that takes a marker cleanly.
Restraint is the design principle here, and it is the opposite of every other item in this catalogue. On a flyer, empty space is wasted money. On a notecard, empty space is the product.
A notecard without a properly matched envelope is half a product. The card and the envelope are seen together, and the fit is the first thing anyone notices.
We print the envelopes alongside the cards, cut to the size and colour you have chosen, with a printed liner if the set calls for it.
This is the category where Urdu calligraphy earns its place most obviously, because the card is personal by definition and a printed English greeting often is not what people would actually say.
Sindhi, Pashto and Arabic follow the same rules. If you have the wording but not the calligraphy, tell us and we will set it.
Notecards are simple to print and easy to ruin, almost always by finishing them like a brochure.
Every notecard stock we carry is uncoated on both sides, so there is no surface on the card that rejects ink. Samples are available so you can test the paper with your own pen before committing to a run.
Folded cards at 300gsm and above are creased on a scoring rule first, so the fold is sharp and the fibres do not split. An unscored heavy card cracks white along the fold, right where the eye lands.
Cards and envelopes made together from the same paper, with the right clearance so the card slides in without bending. Printed flap liners and custom sizes are made in the same job.
Any outline cut digitally from your artwork, with no die to pay for. Shaped cards, rounded corners, punched holes for ribbon and matching cut envelopes are all one operation rather than four separate charges.
Choose a product from the range above, then set folded or flat, the size, the paper colour and texture, any die-cut shape, and whether envelopes are included.
Upload the front artwork and anything for the inside, or send your monogram, wording or Urdu calligraphy on WhatsApp and our designers will set it.
You get a proof showing the outside and inside spreads with the fold marked, plus the envelope if one is included. Check the opening side before approving.
Printed, cut, scored, folded, trimmed and boxed with the envelopes, then delivered in Karachi or couriered nationwide. Files and cut paths stay on record.
Standard print setup, with two additions: the fold and the cut path.
No artwork yet? Send your name, monogram or the wording you want on the front, along with the paper colour you have in mind, and our design team will set it before the job goes to proof.
Who signs the card decides the tone, and how many go out decides the format.
Eid, new year, appreciation and condolence cards sent to clients and partners. A printed greeting outside and a hand-signed line inside is what separates a card that stays on a desk from one that goes straight into a drawer.
A card in the parcel with two lines written by hand. It costs a few rupees per order and it is the cheapest thing a small brand can do that a large one structurally cannot.
Thank-you cards, place cards, table numbers and menu cards as a matched set. Order the envelopes at the same time so the paper colour is identical across the whole suite.
Welcome notes left in rooms, turndown cards and thank-you notes for returning guests, on stock the front desk can write on quickly and legibly.
A short note after a first visit or a significant treatment. In businesses built on returning customers, this is a retention tool rather than stationery.
Appreciation notes to parents, achievement cards for students and thank-you cards for staff and donors. Bilingual sets reach far more households than English-only ones.
Everything here is printed digitally, so there are no printing plates and no setup charge to spread across the run. That changes the arithmetic in your favour at small quantities: a run of fifty is priced sensibly rather than carrying the cost of a press being made ready. It also means a custom shape, a second design or a different name on every piece adds nothing to the price. Quotes are in PKR.
| Quantity | Cost per piece |
| 25 – 100 | Highest per piece, though still viable |
| 250 | Noticeably lower |
| 500 | Best value on most jobs |
| 1,000 and above | Quoted per job |
Notecards are unusual in that the stock does not go stale, so the ordering logic is different to everything else on this site.
Reorders are simple. Your file and cut path stay on record, so a repeat run needs no new setup and no new proof unless the artwork has changed.
Runs start at 25 cards, which suits personal stationery or a small event. Printing and cutting are both digital, so there is no plate charge and no cutting die to pay for, and a custom shape costs the same as a rectangle. Cost per card falls as the run grows, most noticeably at 250 and 500.
Folded cards feel more formal and give you a private inside surface, which suits condolence, congratulation and occasion cards. Flat cards are quicker to write, cheaper per piece with no fold to score, and better suited to short thank-you notes and enclosure cards that travel in a parcel.
They can, and they should. We cut envelopes to match the card size and paper colour in the same run, with around 5 mm clearance so the card slides in without bending the corners. Ordering envelopes separately months later rarely gives an exact colour match, since paper batches vary.
Plain card, every time. It is untreated on both sides, so ballpoint, gel, rollerball and fountain pen all dry cleanly. Matte card takes most pens acceptably. Glossy card does not take pen at all, which is why we only use it on a printed front where the inside stays plain. A card nobody can write on is not a notecard.
It can. Laid and felt-finish stocks look excellent but the surface texture can spread wet ink from a fine nib. If you know a fountain pen is coming, a smooth uncoated sheet is the safer choice. Ask us for a sample and write on it with your own pen before deciding.
Blank, for almost every business use. A printed message with a printed signature reads as a mailshot; two hand-written lines read as a person, and the card costs the same either way. Print the greeting on the front if you need one, and keep your logo small and low on the inside back panel.
Yes to both, and neither carries an extra tooling cost. Cutting is digital, so a shaped edge, a curved flap, rounded corners or a punched hole for ribbon are all cut straight from your artwork. Envelopes are made here too, so the flap can carry a printed liner that shows only as the card is opened.
Yes, and this is where Nastaliq calligraphy works best, set as a single ink colour on a coloured or kraft stock. Note that a folded Urdu card usually opens from the opposite edge, so confirm the opening side with us before we score and fold. Send Urdu as outlines or a print-ready PDF, and export from InPage to PDF rather than sending the .inp file.
Ordinary ballpoint disappears on dark stock. Either supply a white or metallic gel pen with the set, print a light panel where the writing goes, or use white ink printing for any fixed text. Tell us at the order stage, because white ink is a separate printing pass and has to be built as its own layer.
Yes. Send us one of the envelopes and we will cut the card to fit it with the right clearance, rather than working from a stated size that may not match what you actually hold.
Print-ready PDF is best. Supply folded cards as two flat spreads, outside and inside, at 300 DPI in CMYK with 3 mm bleed and fonts outlined. Keep 8 mm clear of the fold line, and send any cut path as a separate vector layer in a spot colour named CutContour. We also accept AI, EPS, CDR from CorelDRAW, packaged INDD and layered PSD.
Across most of them, and the list keeps growing. The notecards we print regularly go to corporate client relations, online stores and D2C brands, weddings and event planners, hotels and guest houses, salons, clinics and studios and schools and academies.
The trade matters less than what the job has to do. Two businesses in completely different lines often need the same size, stock and finish, and two shops in the same trade often need entirely different ones. If your line of work is not named above, tell us what the notecards have to do and where they will be handled, and we will tell you what suits it.
Yes. Orders are couriered anywhere in Pakistan, including Lahore, Islamabad, Rawalpindi, Faisalabad, Multan, Peshawar, Hyderabad and Quetta, and delivery within Karachi can be arranged directly. Cards and envelopes are boxed flat so nothing arrives curled or bent at the corners.
Pick a product from the range above and order on the site, or send your requirement on WhatsApp with the size, folded or flat, the paper colour, any shaped cut, whether you want envelopes and the quantity. We will come back with a quote in PKR before anything moves forward.
Pick a product from the range above, or send your monogram or wording on WhatsApp and tell us the paper colour you have in mind. We will come back with stock, cut and envelope options and a quote in PKR.
